In a matter of seconds that location is attacked, and the drive of the search-and-destroy mission pushes the audience to believe in the fantastic speed and precision of the operation. The attempt of the motion picture to reproduce three-dimensional reality on a flat screen presents the same problems and opportunities that are encountered in still photography and in painting.
The order in which the segments of film are presented can have drastically different dramatic effects. In this way a film image may be less ambiguous than the language of words but also less evocativeless likely to be enriched by imagination, association, or recollection.
Because sound permits the establishment of relations between what is seen and heard at each moment, the film image can no longer be said to be a self-contained unit; it interacts with the sound that accompanies it.
The composition within any frame, or exposure, of a motion picture is as important as the relationship of that frame to those that precede and follow it. In both black-and-white and colour films, the most delicate gradations in the image are therefore possible.
The motion picture thrived in the first half of the 20th century as a mass medium centred on theatrical exhibition.
The luminosity of the motion-picture image also results in a considerable range of tone, between the brightest highlight and the deepest black. Attending motion pictures became a social experience shared among friends or in an audience of strangers.
Although focus, directionality, and other technological factors limit what can be seen and heard, audiences are prepared to believe that the motion picture itself is nonhuman or even superhuman in its passive reception of information.
Luminosity The intense brightness of the picture projected by powerful light onto a coated screen in itself transforms the most mundane element of reality.
Although spectators may sometimes expect exact realism in details of dress or locale, just as often they expect the film to escape from the real world and make them exercise their imagination, a demand made by great works of art in all forms.
The Kinetoscopethe first motion-picture viewing device, was invented by Thomas Alva Edison and William Dickson in This technique is not often used but is very effective when used well.
The accuracy of the motion-picture image is compelling because it is made by a nonhuman, scientific process. The motion picture has much in common with the graphic arts, but the added dimension of movement transforms it, allowing a narrative or a drama to unfold in time in a way no other graphic art can.
Moreover, such effects are considered to be a relatively low form of the art of motion pictures. In the s the home-viewing experience dramatically expanded with the emergence of cable televisionwith channels playing up-to-date motion pictures without commercial breaks, and especially with the development of the videocassette recorder VCRa device that could record television signals on cassettes of magnetic tape as well as play prerecorded cassettes.
Graphic montage occurs when shots are juxtaposed not on the basis of their subject matter but because of their physical appearance. In a fiction film, a character or location is explored from multiple angles while the audience builds a comprehensive image of the situation being explored or explained.
In addition, the motion picture gives what has been called a strong sense of being present; the film image always appears to be in the present tense.Motion picture: Motion picture, series of still photographs on film, projected in rapid succession onto a screen by means of light.
Because of the optical phenomenon known as persistence of vision, this gives the illusion of actual, smooth, and continuous movement.
The motion picture is a remarkably effective. Established inthe film rating system provides parents with the information needed to determine if a film is appropriate for their children.Download